Star Wars: The Force Awakens was, for most people, a deeply satisfying experience. Director J.J. Abrams and his cast and crew returned the franchise to its former glory, reuniting beloved old characters with exciting new ones. It was the best Star Wars movie in at least 30 years.
Any Star Wars fan knows that nobody speaks as bluntly about the franchise as Carrie Fisher. While Harrison Ford and Mark Hamill might be counted on for the occasional funny soundbite or bit of interesting backstory, if you really want one of the Star Wars actors to lay their chips on the table, it’s Carrie Fisher you need to listen to. The actress and writer possesses one of the most acerbic wits in all of Hollywood and has never shied away from trying to spin her sense of humor into backdoor Star Wars cannon.
The release of Star Wars: The Force Awakens last Christmas was one of the most anticipated events of the season, and naturally everyone had an opinion. From Twitter misanthropes to awestruck fan site die-hards, all four corners of the internet were buzzing with approval or disappointment.
Just when you thought Fred Armisen’s deleted SNL finale sketch the last of Season 41 to hold you over for summer, in swoops a bonus round of celebrity Star Wars auditions! SNL dusted off the November sketch for another round, this time including Matthew McConaughey, along with impressive impressions the likes of Jennifer Lawrence, Shia LaBeouf and more.
It shouldn’t be very surprising that a guy who killed his own father in cold blood is a dark, effed up dude. Yet, this latest news about Kylo Ren somehow paints a picture of the Star Wars: The Force Awakens villain as even more disturbing than we originally thought.
Star Wars: The Force Awakens had a lasting impact on pop culture in many ways. And now, according to a new report, it also has had an impact on family culture as well. In the months since The Force Awakens opened in theaters babies named Kylo and Rey have spiked dramatically, leaving us all to wonder, What kind of father would name his son Kylo...
Before we get started, we know what you’re thinking: Han Solo is dead dummies. Yes, we know. But dead people have a way of reappearing in movies, especially Star Wars movies, so last night on Jimmy Kimmel Live, the host asked Harrison Ford point blank if he knew whether Han Solo would return in some capacity for Star Wars: Episode 8 and his response was very interesting...
Fan theories, a perplexing recent trend in which devotees of a work of fiction claim to unearth hidden truths about it through elaborate and often nonsensical analyses of minor peripheral details, are bigger than all of us. They serve no real purpose other than giving denizens of the internet something to occupy our time while we wait for the sweet release of death, and in some instances can even detract from actual criticism, but for the most part they’re harmless fun. In recent weeks, however, they’ve caused J.J. Abrams a bit of frustration.
It took Avatar two and half months to become the highest grossing movie of all time. Star Wars: The Force Awakens will surpass its domestic box office gross within the next day or two after less than three weeks in release. The big question now is when J.J. Abrams’ sequel will find its ceiling because as of right now, it’s showing no signs of slowing down.
When you’re out promoting a movie, you’re often asked to do a lot of things, most of them pretty silly. With the amount of press the cast of Star Wars: The Force Awakens was being asked to do, there were asked to do a lot of silly things, none perhaps as silly as going on The Tonight Show Starring Jimmy Fallon and singing a medley of Star Wars music a cappella. But the entire cast — including Harrison Ford! — actually commits, and it actually turns out to pretty fun.
Q: What is the best part about getting a thing of fast-food french fries? A: Believing you have finished your cheat-day treat, only to discover that there are still a few stragglers with a pulse left in the bottom of the bag. This phenomenon might illuminate a bit of the logic behind the recent proliferation of post- and mid-credits scenes in studio blockbusters, the practice in which a film squir